Joyce Joumaa is a Lebanese-Canadian visual artist and writer working between Beirut, and Montréal. Working across video, photography, text, and installation, her practice probes histories of colonialism, modernity, and rupture to point towards their persistent embeddedness in the spaces, infrastructures, and systems of everyday life. Through aesthetic and performative  techniques of dislocation, recombination, and inversion, Joumaa reworks archival and historical material to question how knowledge is transmitted, how collective memory is produced, and how ideological forces are encountered within collective habits and the built environment. Her work moves between the intimate and the structural, attending to the provisional ways through which people navigate cycles of crisis and collapse. Joumaa has exhibited at the 60th International Art Exhibition of La Biennale di Venezia, the 2nd Sharjah Architecture Triennial, MOMENTA Biennale d’art contemporain at the Musée d’art contemporain de Montréal, the 6th Kyiv Biennial, the Canadian Centre for Architecture, the Hessel Museum of Art, and e-flux Screening Room, among others. She is the recipient of the Hnatyshyn Foundation Prize for Emerging Artists and the 2025 Baloise Art Prize. She is currently the Boris Lurie Fellow at the Vera List Centre for Arts and Politics at the New School.